Promoting ‘Undercover Unicorn’ Using Posters and Cards

Promotion is the other half of self-publishing, and is probably one of the hardest things for me to do. However, graphic design is something I am finding that I am relatively good at doing, so posters and handout cards were the first things I created.

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Recap: MediaWest*Con 35

I attended MediaWest*Con 35, in Lansing, MI, last weekend. It was a fun time and an interesting time, a time when I get to see old friends that I don’t see any other time or place. It was also a bit of a disappointment, as some of those old friends were not in attendance for one reason or another (surgery, attending another convention, etc.) but overall, I still won’t miss it, and have already signed up for next year.

Panels

One of the reasons I attended is that I love doing panels, and this year I was on five panels, four of which were decently attended and interesting.

Cover Design for E‑Publishing

This is cover to my short story 'Undercover Unicorn'.

This is cover to my short story ‘Undercover Unicorn’.

This was a panel I was really looking forward to, and it had a really good turnout. I was prepared to discuss the several covers I did for another writer that I did largely for practice and then turn to the ones I created for my own works. I brought all of the original Photoshop format files along on my laptop so I could open them and show how the layers worked, what went where, etc.

However, I was limited by the lack of any kind of projector, which forced me to use the visual aids I brought along as backup. Instead of showing the cover images on a large screen and large scale, I displayed the 8 12″ x 11″ images and pointed to things on the images in reference to what I was talking about.

Unfortunately, time and equipment limitations prevented anything further. Next year I plan to do a panel / seminar where I go through the entire process, hopefully using a projector and big screen so that everyone can see what is happening.

Gaming 101

It started off as a panel on recommendations on gaming for beginners. I was hoping that I would have someone else on the panel with me, because I am really only familiar with a large section of the gaming market, but that didn’t happen. As it turned out, that wasn’t really necessary, as the panel turned into a series of gaming stories that continued after the panel was over.

Hypnosis 101

My Hypnosis 101 panel was the best attended and the best received of all my panels: I actually had people in the audience thank me for presenting it (and they weren’t hypnotized into doing so, either.) This is something I have done before, talking about the myths about hypnosis, especially the media-inspired myths and representations that many of the audience were familiar with. I touched on several topics including my take on how hypnosis functions and the tricks stage hypnotists use during their performances, and told my own story demonstrating that hypnosis is real and that is does have an effect. But, no, I actually did not do any demonstrations of hypnosis: that may happen next year.

The Legend of Korra

Alas, there were no other Korra fans in attendance, so this panel was understandably very short.

Watch the Skies!

This panel was intended as a discussion of the classic alien invasion trope of movies, but it largely became a contest of who could remember the most movies (and TV shows) of that trope. We did manage to get through the hour without running out of movies to mention.

Art Auction

The focus of my attendance is to work the Art Auction. I have done this for over 20 years: I am responsible for managing the transition from the Art Show to the Art Auction. That means arranging all art going to auction into lots and overseeing the placing of art into the auction and returning it for eventual pickup.

Unfortunately, the auction this year was even smaller than last year. When all was said and counted, there were only 35 pieces in the auction this year. 15 of them were by artist Karen River, including several of her etched slates. As she was one of the auctioneers, and since they all have a policy of not auctioning their own pieces, there was some jockeying during the auction

With that few number of pieces, it was assumed that the auction would not last past 8:00 pm. In fact, the only reason it did go past 8:00 was that someone, presumably someone not from the convention, pulled the fire alarm. Once I realized it was a real alarm, I got the microphone and made the announcement and hustled people out of the room. Fortunately the alarm was turned off just about the time I got the last person out of the room, where most everyone was outside waiting. I just hope whoever was responsible is caught.

Farewell Tanith Lee

I just read and confirmed that author Tanith Lee died of cancer.

Tanith Lee was a writer I greatly enjoyed. I remember savoring reading and re-reading “The Birthgrave”, her first novel. (Actually, her first novel for DAW for the adult market: she had two YA novels published through Macmillan prior to that.) Since then, she produced many eloquent, extravagant and evocative works that I remember fondly: “Night’s Master” and “Death’s Master” and the rest of the Flat Earth stories, “Cyrion”, “Volkhavaar”, “Kill the Dead” and “Red As Blood: Tales of the Sisters Grimmer”. There are few authors in my somewhat now depleted collection where I have so many books without the majority being one lengthy series or another. She was a legend and an award winner and a true tale spinner.

Tonight, I believe I will take out two or three of her books and re-read them again.

Con Schedule: GenCon 48 (2015)

GenCon Logo

I will be attending GenCon later this summer. This is GenCon 48, meaning this would be my 38th GenCon and my 37th consecutive GenCon. (I have written of my earlier GenCon adventures and posted them here.) My first GenCon was the (only) one at the Lake Geneva Playboy Club in 1977, then I skipped a year going off to college, attended GenCon at the University of Wisconsin — Parkside in 1979 and attended every one since, following it to Milwaukee and now Indianapolis. As always, I do as much as I can in these four days (Wednesday afternoon through Sunday afternoon) because this is my big annual “vacation” convention and has been for over thirty years.

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My Answer to the Question “How Does Hypnosis Work?”

A person posted a question to a forum I frequent about how hypnosis works. Since I possess some personal experience regarding the subject from both angles, as both a hypnotist and a hypnotic subject, and have a deeper knowledge of the history of the subject than most, I felt I that these gave me at least a decent perspective on the question and the competence to answer it. I believe my answer was worthwhile enough to repeat and expand upon here.

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Roger, Merlin and Me

Anyone who knows me will quickly learn that I am a major fan of Roger Zelazny. I got hooked on his works when I was still in high school, partly with “Lord of Light” and “Creatures of Light and Darkness”, the latter being the pattern for the deities of my college roommate’s D&D campaign.

But it was the Amber novels that truly captured my interest. Flawed demi-gods walking between Shadows of realities, with a sympathetic main character overcoming his past, and a host of interesting supporting characters and a sequence of mysteries to resolve? What is not to like about it, at least for me. I soon became a serious Amber fan.

A Serious Amber Fan

As a serious Amber fan, I became a member of an official Amber fan organization, very long ago, meaning back in the early to middle 1980’s. The organizer asked Roger for permission to form the group and he granted it. Over a period of several years we produced several newsletters and four issues of Shadow Shiftin’, an Amber fanzine, all of which were sent to Roger. (What Roger did with them, I never knew.) I contributed something to each issue of the fanzine, including the two poems ‘Merlin’s Song’ and ‘Starfall’.

Which leads me to Merlin. Merlin was the most enigmatic character in the first five Amber novels, which fans term the “Corwin” novels, as opposed to the later series of five novels (and the later short stories) which are the “Merlin” novels, both so named for the central character of the books. We see Merlin only a couple of times in the first novels, once where he confronts Corwin when Corwin is far out in Shadow close to the Courts of Chaos and once near the end of the last book where Merlin appears to be reunited with his father (that being Corwin) and Corwin begins to tell the tale of his recent past (i.e., the events of the five novels) as foreshadowed in the first paragraphs of the first novel.

It was the custom of the group members to select one of the Amber characters they most identified with, and I chose Merlin. I liked Merlin, primarily for his enigmatic quality. He was a mystery that I could overlay anything I desired. He also seemed like a nice guy, unlike most of his aunts and especially his uncles, despite his upbringing in the Courts of Chaos as the presumptive King of Amber under the thumb of his mother Dara. All of this was duly noted in one of the group newsletters. Also, in one of the newsletters, I described myself, a recent graduate of a prestigious engineering university with a degree in Computer Science (from the Math department, which encompassed the CS program at the time) and a job as a systems operator and programmer at an international engineering company.

I even wrote a story of Merlin’s first meeting with Corwin, told from Merlin’s point of view. It then dealt with the consequences of his actions during the meeting within the Courts of Chaos and his ultimate decision to seek out his father. Unfortunately, I do not have a copy of that story, either physical or digital. I loaned the physical copies of the fanzines to Erick Wujcik, who created the Amber Diceless RP system and ran the GenCon Amber campaign, in which I was one of the playtesters, playing the character of Damarian, wayward and reluctant (to get involved with her schemes, all of which was duly noted and used to manipulate him further) son of Fiona. Unfortunately, we only ever saw each other except at either Ambercon or GenCon, and even then was problematic when Erick started teaching in China, so the fanzines were given to someone else to return to me and somewhere along the line they disappeared. I have managed to recover three of the four issues through various means, but the one I am missing (issue #2) is the one with the Merlin story. The digital copy fell victim of the vagaries and vulgarities of 5 14″ floppy disks and the relative impermanence of magnetic media long ago.

The Mysterious Pattern of Merlin

Which (eventually) leads me back to Roger and the second (Merlin) Amber novels.

The Amber fan group was largely organized at MediaWest*Con, a Midwest media and fanzine convention in Lansing, Michigan, over Memorial Day weekend. The first Merlin book was published in May, 1985, shortly before the next convention. I hadn’t purchased the book yet, as I was waiting to get it from the library, so I hadn’t read it yet. Therefore, when I met the head of the fan group, and answered in the negative when she asked whether I read it yet, she said “Merlin’s you! He’s a programmer!”

I was, well, somewhat surprised.

Was I in any way responsible for the definition of Merlin as a programmer? It seems possible, but there was no really way to tell. I had no way of asking Roger about it, and I just sort of let the notion slide for the longest time. It was really only after I was really “into” Amber Diceless RP gaming that I got really curious about it, but even then I had no way of meeting Roger (that I was really aware of and wanted to pursue.) Even though I was an avid attendee of many SF conventions, I only attended one where Roger was a guest, and as I remember it was a pretty large convention where the only chance I had to meet Roger in person was the autograph session.

Then Roger was announced as a Guest of Honor at GenCon in 1995. (Was that 20 years ago? Sheesh.) Erick Wujcik which organized a private party for his friends to meet Roger and I was sure I would be able to finally ask Roger. I was so looking forward to it.

But it was not to be. Roger never told anyone that his health was failing. (Roger was a pretty private person in many ways.) He died that summer before the convention, and my question will forever be unanswered.

Con Schedule: This Land Is Our Land (05–29-2015)

Many, many years ago (more like a couple of decades ago), a number of interested individuals in the local area, all of whom were interested in the Society for Creative Anachronism, got together to form the Shire of Shadowed Stars. The Shire has survived a number of rough periods and experienced a number of good times over the many years but the members persisted and that persistence is about to be rewarded.

Although I was one of the individuals at that first meeting and party, my involvement with the Shire and the SCA has fluctuated over the years. Therefore, I was not involved when several years ago, some members began a campaign to raise the Shire to Baronial status. It was a long and arduous process, but the results were worth it.

On May 29th, the Shire is going to become a Barony.

This will take place at “This Land is Our Land” which was the name given to our Spring (and the for longest time, our only) annual event. The event will be held in the Whitley County Fairgrounds, which I toured last week, and which is a small town in scope. It is much better than the local Allen County Fairgrounds, and much cheaper, too.

My own contribution will be to video the ceremonies and produce a record of the event. This includes not only the investiture ceremony in the morning but also the first baronial court in the evening: setup will be difficult but it will be managed. It will be the first SCA event I ever did video work for and I am looking forward to it.

Con Schedule: MediaWest*Con 35

I will be attending MediaWest*Con on Memorial Day weekend. This is a fan-run media convention, without guests, just fans getting together to talk about their favorite TV shows, movies, actors, etc. It also used to be a major fanzine convention, but that aspect of fandom has been in decline now because of e‑publishing and other factors.

This is one of the conventions I always love attending, and one of the few I am still able to attend because of my financial situation. I lost count, but this will be at least my 25th MediaWest, probably more. I know I attended MediaWest*Con 5 in 1985 and just about every one since, only there were a couple of times when I attended another convention (Marcon in Columbus, Ohio) that same weekend.

As usual, I will be on a number of panels this year:

  • Friday 3 pm: Gaming 101 — What would you recommend for someone just breaking into gaming? (Delta 2) I was hoping that I would not be the only person on the panel here, as I do not have a comprehensive grasp of the entire gaming industry, but I have friends who are, so we shall see how this turns out.
  • Friday 6 pm: Hypnosis Myths and Realities — What is fiction and what is fact, and separating the two. (Delta 1) I have a very strong interest in the subject of hypnosis, especially the media aspects, which should play well with the overall theme of the convention. At worst I will be talking about all the very bad representations that everyone has seen, at best I will be talking about how they don’t get it right, and I may even have the opportunity to do a demonstration or two.
  • Saturday 2 pm: E‑book cover design and creation — How to design a cover for an e‑book. (Delta 2) I will be displaying some of my cover designs and discussing in detail how they were created, then creating a sample cover using input from the audience.
  • Saturday 3 pm: Look to the Skies! — Discuss the evolution of alien invasion films, from the 50’s cold war flying saucers to the destroy-the-planet ilk of “Independence Day” and others. (Capital) Everything from “War of the Worlds” to “Invasion of the Saucer Men”. At least I will have company for this panel.
  • Sunday 2 pm: The Legend of Korra — General discussion of animated series. (Delta 1) The Legend of Korra was one of my pleasures watching last year, and I am trusting that I am not alone in that here.

And, as always these days, I will manage the Art Show transition to the Art Auction and handle the backstage traffic during the Art Auction itself. I will be on my duty starting some time around 3:30 Sunday afternoon until the Art Show closes at 4:00, then on my feet organizing the Art Auction and buyer pickup sorting phase, ensuring the Art Auction room is set up correctly, and then running art in and out of the room from the before of the Art Auction itself at around 7:00 until the last piece of art is sold. In years past, the auction has gone past midnight, but the past years we’ve avoided turning to a pumpkin.

The Art Show and Auction boasts some excellent artists who always draw competition and high prices for their artwork, and sometimes it is a pain trying to parse individual artists, subjects and material so that each lot is unique, but that is part of my job, and I’m very good at it.

Why I Appreciate SFWA

I don’t remember exactly how long ago I joined SFWA. I do know that it was shortly after my stories were published in the early issues of Marion Zimmer Bradley’s Fantasy Magazine, so that puts it somewhere around 1990, so this would be approximately my 25th year as a member. Therefore, as SFWA is celebrating its 50th anniversary this year, I have been a member of the organization for approximately half of SFWA’s existence.

An Associate member, that is.

My two professional short story sales were enough to qualify for Associate status: Associate members gain access to the private online forums hosted by SFWA, copies of all publications produced by the organization, entry into any SFWA-hosted suites and events at conventions and the ability to recommend and nominate stories for the Nebula Awards. However, it takes three short story sales 1 or a novel sale to qualify for Active membership. Active members can also run for office within SFWA, vote in officer elections and vote for the Nebula Awards. 2

That’s all. There is a significant difference between them, but a difference only that affects the level of participation a member gives to the organization, not what the member receives from the organization. Once you are a member of SFWA, you become a part of the SFWA community, no matter your status, and receive all the benefits SFWA offers.

And that’s one of the things I most appreciate about SFWA. The Associate membership level gives people who are pursuing their professional writing career a step into the organization, and through that access to the many advantages of being a member of SFWA, and any time I talk to other beginning writers I always stress that if they are serious about writing science fiction or fantasy that they should join the organization.

Another thing I appreciate about SFWA is that the organization is an ardent advocate for writers in general, no matter their membership level or status, or even the genre. Many of the resources SFWA provides for its members, it also shares with writers of all levels and genres. The SFWA website is also stuffed with valuable information for writers, readers and educators and has been for years and years. 3 The Bulletin, SFWA’s own magazine on writing, SF and fantasy and a host of related items of interest, is available to any subscriber. Writers Beware is another public service, a continuing series of reports regarding consumer fraud and criminal practice involving dodgy agents, worthless publishers and anyone else seeking to make a dishonest dollar from unsuspecting authors new and old alike. There is also the official SFWA presence at major conventions, which varies from holding meetings for the members to staffing a table in the dealers area with books and publications by the members.

The above are all things I appreciate about SFWA that I have direct experience with. There are a lot more things I appreciate about SFWA without any having direct personal experience regarding any of them, fortunately. Things that were created and grew and evolved because of the needs of the members of any level. These things involve writers with problems that arise from their professional status. Things like the SFWA Emergency Medical Fund, which exists to help writers in medical emergencies, as many writers do not have adequate health insurance. Things like the Grievance Committee, which exists to add the weight of the organization behind an writer in situations when the writer has been harmed by the actions of a convention or a publisher, for instance, or the Contracts Committee which advises and educates members regarding contracts.

But the biggest thing I appreciate about SFWA is that they let me join and let me stay. 4 Yes, I am still an Associate member, but that’s largely due to a number of contrary and intervening factors all in one way or another collected under the category of “life” and not any fault of SFWA or anyone involved with them.

However, I still work and dream about changing that.


A Character In Search of a Story

I created a lot of roleplaying characters and story characters, based on a lot of different sources, but I’ve never created one based on a dress before.

Until now.

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